The Wounded Storyteller by Arthur Frank

I want to share with you this Preface by Arthur Franks to his book The Wounded Storyteller:
I wrote the outline of The Wounded Storyteller in early spring 1994, while I still had stitches from the biopsy that determined I was not having a recurrence of cancer… Writing The Wounded Storyteller was as much a work of self-healing as of scholarship. I needed to gather around me voices that shared what I had been through during the previous years of illness. I had written about my own experiences  in a memoir, At the Will of the Body, but I needed the insights and articulations of other ill people to assure myself I wasn’t crazy. I needed others’ thoughts in order to become fully aware of my own. That is the book’s consistent message about why suffering needs stories: to tell one’s own story, a person needs others’ stories. We were all, I realized, wounded storytellers.  The wounded storyteller is anyone who has suffered and lived to tell the tale. Suffering does not magically disappear when the tale is told, but the more stories I heard the less space my own suffering seemed to take up. I felt less alone. This book was my attempt to widen the circle, to amplify and connect the voices that were telling tales about illness, so that all of us could feel less alone. The wounded storyteller is a guide and a companion, a truth teller and a trickster. She or he  is a fragile human body and a witness to what endures.  People need a guidebook for the day when  they become wounded storytellers, because most people find themselves unprepared. I certainly needed such a book, despite having spent much       of my professional life [as a sociologist] studying health care. The Wounded Storyteller was my attempt to provide that guidebook.” What surprises me rereading the book is how little my ideas about bodies, illness, and ethics have changed. Since I wrote this book I have read new memoirs of illness and interviewed ill people, but as generous as those people were about their experiences, the voices here are the ones that continue to resonate in my thinking, defining illness for me. The voices that speak to us at particular moments in our lives, especially during transitions or crises, imprint themselves with a force that later voices never quite displace. Returning to the The Wounded Storyteller,        [20 years later] I realize how deeply I loved the voices of those whose stories I retell, both people         I actually knew and writers whom I came to feel I knew… This book was written at two particular moments. In my life, I was at the end of a decade when it seemed all my conversations ended up being about illness, and most started that way.           The book was also written at a particular public moment when ill people were claiming the right to tell their own stories, but that right had yet to be attained. Today, illness stories proliferate, especially on the Internet and in mass media, but when I was gathering the materials for this book, speaking publicly of illness felt new and necessary. …[W]hen I joined a cancer support group sponsored by a national organization, we were not allowed to post fliers in the local cancer center, to tell patients where and when meetings were being held. My sense of what was deeply wrong was affirmed when I read Audre Lorde, who wrote as a breast-cancer survivor around 1980, “My silence had not protected me, your silence will not protect you.” That quotation is one of the lines that resounds loudest when I think about illness.                                  My questions are always: who is preserving what silences, what do they imagine is being protected by silence, and who suffers by being kept silent?” Lorde shows a way out of silence: speech that has the power to create community. “But for every real word spoken, for every attempt I had ever made to speak those truths for which I am still seeking, I had made contact with other women while we examined the words to fit a world in which we all believed, bridging our differences.” The Wounded Storyteller was written to expand that contact between people who had stories to tell of illness.          I sought to examine the words in which people attempted to speak the truth about illness, words in which they tried to “fit a world” that seemed worth believing in. This book is not a memoir, as deeply rooted in my own experience as it is. I wrote it with a sociologist’s core conviction that people’s sense of their own originality is highly overrated.  This book reflects a tension between two recognitions of human life that sound paradoxical but are actually complementary. First, people’s experiences are intensely personal; claims to the uniqueness of experience are true and deserve to be honored. Second, people’s ability to have experiences depends on shared cultural resources that provide words, meanings, and the boundaries that segment the flow of time into episodes. Experiences are very much our own, but we don’t make up these experiences by ourselves.  People tell their own stories about illness, but what seems worth telling, how to format the story, and how others make sense of the story all depend on shared ways of narrating illness. The core chapters of The Wounded Storyteller describe three narratives that storytellers and listeners use to structure and interpret stories, respectively: restitution, chaos, and quest. Each is also a way of experiencing illness.                                   Restitution represents my life as a patient. Health-care workers expected any experience to be interpreted within a narrative of movement toward recovery of health. Whatever happened to me could be understood only as a necessary step toward that achievable goal of health. I wanted to get well and appreciated reassurance that I would. But I also needed recognition of my suffering at that particular moment, as well as recognition that my recovery was by no means assured. I increasingly resisted the restitution narrative, especially how it positioned the physician as the protagonist and relegated me to being the object of that protagonist’s heroism. I was certainly part of this story, but it could never truly be my story. The restitution narrative had no space for the chaos part of my illnesses: the months when my rapidly progressing testicular cancer was misdiagnosed, first as a sports injury—muscle strain—and then as an unknown disease, probably, but not certainly, cancer.  Chaos was in the disconnection between the increasing pain that was sending my life off the rails and my physicians’ frustrated insistence that nothing serious was wrong. Chaos was in the claustrophobia of confronting others’ inability               to see what I so clearly felt. Many people with chronic illness, especially multiple sclerosis, have written about this diagnostic uncertainty and the relief when some physician validates how much is actually wrong, as devastating as that diagnostic news can be.  My own chaos was bad enough, but I never experienced the chaos in which many people feel trapped, when each misfortune seems to trigger some other collapse: disease leads to job loss, which creates a housing crisis, and then some other family member gets sick. However, I went through enough to recognize that desperation and the silence that chaos imposes. Those living in chaos are least able to tell a story, because they lack any sense of a viable future. Life is reduced to a series of present-tense assaults. If a narrative involves temporal progression, chaos is anti-narrative.  My period of chemotherapy was bordering on chaos when my understanding of what I was going through began to shift. A sequence of experiences brought me out of an obsession with my own pain and vulnerability and gave me a sense that I was participating in something shared. Time spent being ill ceased to be time taken away from my life. Instead, how I lived with illness became the measure of how well I could craft a life, whether I was ill or healthy. This attitude is the basis of understanding one’s story as a quest narrative. Illness remains a nightmare in many ways, but it also becomes a possibility, especially for a more intimate level of connection with others.  Illness as quest is described by Anatole Broyard’s posthumous collection of writings, Intoxicated by My Illness, which became available late in my work on The Wounded Storyteller. Broyard, a writer of some fiction and much literary criticism, presents living with rapidly progressing prostate cancer as a problem of style: “It seems to me that every seriously ill person needs to develop a style for his illness.” I understand telling stories as an especially important medium through which we discover what that style might be. Storytelling is less a work of reporting and more a process of discovery.  Broyard then writes the sentence that, in retrospect, defines not only the quest narrative but the core issue of The Wounded Storyteller: “It may not be dying we fear so much, but the diminished self.” He thus expresses what remains my crucial question: “If I become ill again, or when I do, how will I find ways to avoid feeling that my life is diminished by illness and eventually by dying?  Broyard was clear that physicians are often a               part of the problem of diminished lives.“Doctors discourage our stories,” he writes. I did not include that dig at doctors in The Wounded Storyteller, and I am surprised, rereading today, how disciplined I was in depicting health-care professionals only from the perspective of patients and minimizing even that. My intent was to write a book that kept health-care workers generally, and physicians specifically, in the background. Even criticizing doctors makes them central. …[T]aking the professional perspective undoes what The Wounded Storyteller is most concerned to bring about: a view from the ill person’s perspective, in which the central problem is how to avoid living a life that is diminished, whether by the disease itself or by others’ responses to it. The professionals in health care and other fields who have communicated with me about The Wounded Storyteller all realize that providing treatment should not be equated to offering care, however that distinction is expressed in the respective idioms of different professions. Other readers are working to make sense of their own suffering, struggling to find words and narratives that share their experiences with others.  What I appreciate most is when the boundaries between these two types of readers blur. Professionals bring their personal suffering into their work, and ill people discover forms of vocation in illness. The wounded storyteller, ending silences, speaking truths, creating communities, becomes the wounded healer.”  —Calgary, Alberta. Arthur W. Frank

Spiritual Autobiographies and Memoirs

Maya Angelou. All God’s Children Got Traveling Shoes

Erik P. Antoni. Song of the Immortal Beloved

St. Augustine, Confessions

Barbara Becker. Enclosure: A Spiritual Autobiography

Stephen Batchelor Confession of a Buddhist Atheist

Malcolm Boyd, Gay Priest, An Inner Journey

Frederick Buechner. Telling Secrets. A Memoir

_______________.The Eyes of the Heart. A Memoir of the Lost and Found

John Bunyan. Grace Abounding

Sister Chittister. Following the Path: The Search for a Life of Passion, Purpose, and Joy

Carol P. Christ Laughter of Aphrodite: Reflections on a Journey to the Goddess

Laurence Clarkson The Lost Sheep Found Or, the Prodigal Return to His Fathers House After Many Sad and Weary Journey Through Many Religious Countrys (Facsimile)

Albert Flynn DeSylva. Beamish Boy. A Memoir of Recovery and Awakening

Mathew Fox. Confessions of a Post-Denominational Priest

Bede Griffiths. The Golden String

Chris Glaser. Malcolm Boyd, Gay Priest, An Inner Journey

G.I. Gurdjieff, Meetings with Remarkable Men

Andrew Harvey. A Journey in Ladakh: Encounters with Buddhism

____________. Hidden Journey: A Spiritual Awakening

Christopher Isherwood. My Guru and His Disciple

Sarah H. Jacoby, Love and Liberation: Autobiographical Writings of the Tibetan Buddhist Visionary Sera Khandro

Carl Gustav Jung. Memories, Dreams and Reflections

Swami Kriyananda. The New Path. My Life with Pramahansa Yogananda

Elizabeth Kübler-Ross. The Wheel of Life. Memoir of Living and Dying

The Dali Lama. My Spiritual Journey

Therese of Lisieux. Story of a Soul: The Autobiography of St. Therese of Lisieux

C.S. Lewis. Surprised By Joy

Sri. M. Apprenticed to a Himalayan Master (A Yogi’s Autobiography)

Sri. M. The Journey Continues: A sequel to Apprenticed to a Himalayan Master

Brennan Manning. All is Grace. A Ragamuffin Memoir

Mark Matousek. Sex Death Enlightenment: A True Story

John J. McNeill, Both Feet Firmly Planted in Midair: My Spiritual Journey

Jane Hamilton Merritt. A Meditator’s Diary: A Western woman’s unique experiences in Thailand Monasteries

Thomas Merton. The Seven Story Mountain

Mourning Dove. Mourning Dove: A Salishan Autobiography

Joel Morwood. Naked Through the Gate: A Spiritual Autobiography

Swami Muktananda. Play of Consciousness: A Spiritual Autobiography

John G. Neihardt. Black Elk Speaks

John Newton and Vasile Lazar AMAZING GRACE: An Autobiography

Steve Norwood.Confessions of a Reluctant Missionary

Meghan O’Rourke. The Long Goodbye. A Memoir

P.D. Ouspensky. In Search of the Miraculous

David Persons. Finding My Way Home: My journey to a Universal Spirituality (An ordained minister’s journey to a more ancient spirituality and the price he paid)

Sidney Poitier.The Measure of a Man: A Spiritual Autobiography (Oprah’s Book Club)

Helen Prejean. River of Fire: My Spiritual Journey

Michele Pulford. Climbing into Eternity. My Descent into Hell and Flight to Heaven

Tulku Urgyen Rinpche. Blazing Splendor, The Memoirs of Tulku Urgyen Rinpche

Richard Rodriguez. Darling: A Spiritual Autobiography

Kenneth Rose. The Light of the Self

Soko Morinaga Roshi. Novice to Master: An Ongoing Lesson in the Extent of My Own Stupidity

Lori S Stevic-Rust. Greedy for Life. A Memoir of Aging with Gratitude

Hakuin Ekaku and Norman Waddell Wild Ivy: The Spiritual Autobiography of Zen Master Hakuin

Alan Watts. In My Own Way

Irina Tweedie. Daughter of Fire: A Diary of a Spiritual Training with a Sufi Master 

Paramhansa Yogananda. Autobiography of a Yogi

Jocelyn Zichterman. I Fired God: My Life Inside—and Escape From—the Secret World of the Independent Fundamental Baptist Cult   

Memoirs of Recovery from Mental Illness

(1) Mad Like Me by Merryl Hammond

(2) A Schizophrenic Will. A Story of Madness, A Story of Hope.  by William Jiang

(3) My Schizophrenia by John Gunter

(4) Surviving Schizophrenia by Richard Carlson

(5) My Mental Madness Memoir by Stephanie Anne Allen

(6) Same Time Next Week, True Stories of Working Through Mental Illness edited by Lee Gutkind

(7) Show Me All Your Scars. True Stories of Living With Mental Illness edited by Lee Gutkind

(8) Trauma Through a Child’s Eyes by Peter Levine

(9) Why Be Happy When You Could Be Normal? By Jeanette Winterson

(10) Crazy: My Seven Years at Bruno Bettelheim’s Orthogenic School by Roberta Carly Redford

(11) In Shock: My Journey from Death to Recovery and the Redemptive Power of Hope by Rana Awdish 

(12) Darkness Visible: A Memoir of Madness by William Styron

(13) An Unquiet Mind: A Memoir of Moods and Madness by Kay Redfield Jamison 

(14) Brain on Fire: My Month of Madness by Susannah Cahalan 

(15) Dying to Be Me by Anita Moorjani 

(16) Beautiful Boy: A Father’s Journey Through His Son’s Addictionby David Sheff 

(17) Tweak: Growing Up on Methamphetamines by Nic Sheff

(18) Between Breaths: A Memoir of Panic and Addiction by by Elizabeth Vargas 

(19) Fighting Parkinson’s…and Winning: A memoir of my recovery from Parkinson’s Disease by Howard Shifke 

(20) Gorilla and the Bird: A Memoir of Madness and a Mother’s Love by Zack McDermott 

(21) Get Me Out of Here: My Recovery from Borderline Personality Disorder by Rachel Reiland 

(22) My Schizophrenic Life: The Road to Recovery From Mental Illnessby Yuen MacKay, Sandra 

(23) The Buddha and the Borderline: My Recovery from Borderline Personality Disorder through Dialectical Behavior Therapy, Buddhism, and Online Dating by Kiera Van Gelder 

(24) The Neuroscientist Who Lost Her Mind: My Tale of Madness and Recovery by Barbara K. Lipska and Elaine McArdle 

(25) Sickened: The True Story of a Lost Childhood by Julie Gregory 

(26) Beauty in the Broken Places: A Memoir of Love, Faith, and Resilience by Allison Pataki and Lee Woodruff 

(27) Fall to Pieces: A Memoir of Drugs, Rock ‘n’ Roll, and Mental Illness by Mary Forsberg Weiland and Larkin Warren  

(28) Detour from Normal by Ken Dickson

(29) The Ghost in My Brain: How a Concussion Stole My Life and How the New Science of Brain Plasticity Helped Me Get it Back by Clark Elliott 

(30) Scythe Tleppo: My Survival of a Cult, Abandonment, Addiction and Homelessness by Nathan Rich 

(31) River of Time: My Descent into Depression and How I Emerged with Hope by Naomi Judd and Marcia Wilkie 

(32)The Encore: A Memoir in Three Acts by. Charity Tillemann-Dick 

(33) Trauma, Shame, and the Power of Love: The Fall and Rise of a Physician Who Heals Himself by Pelloski MD, Christopher E and Leslie Tilley

 (34) 3,000 Pulses Later: A Memoir of Surviving Depression Without Medicationsby Martha Rhodes 

 (35) Dog Medicine: How My Dog Saved Me from Myself by Julie Barton 

(36)  Scared Selfless: My Journey from Abuse and Madness to Surviving and Thriving by Michelle Stevens 

(37) The Los Angeles Diaries: A Memoir of recovery from Addictions by James Brown

(38) This River: A Memoir of recovery from Addictions by James Brown

 

Holocaust Memoirs

1. The Choice by Edith Eger 

  2.   The Diary of a Young Girl by Anne Frank

  3.  Man’s Search  for Meaning by Viktor Frankl

  4. Five Chimneys. A Woman Survivor’s True Story of Auschwitz by Olga Lengyel

  5.  In The Hell of Auschwitz. The Wartime Memoirs of Judith Sternberg Newman

  6. Auschwitz. A Doctor’s Eyewitness Account by Miklos  Nyiszli and Richard Seaver.

  7. A Year in Treblinka. An Inmate Who Escaped Tells the Day to Day Facts of One Year of His Torturous Experiences by Yankel Wiernik

  8. When I Was a German, 1934-1945 (The Past is Myself ) and The Road Ahead—2 memoirs by Christabel Bielenberg

  9. Inside the Gas Chambers. Eight Months in the Sonderkommando of Auschwitz by Shlomo Venezia

10. First One In and Last One Out by Marilyn Shimon

11. Hiding in Plain Sight. My Holocaust Story of Survival. A Memoir by Beatrice Sonders 

11.a Misha: A Mémoire of the Holocaust Years by Monique de Wael

12Our Crime Was Being Jewish: Hundreds of Holocaust Survivors Tell Their Stories by Anthony Pitch and Michael Berenbaum 

11. Courage and Grace: A Jewish Family’s Holocaust True Survival Story During WW2 (World War II Memoir) by Yoseph Komem 

12. The Strange Ways of Providence In My Life: An Amazing WW2 Survival True Story (A Jewish Girl’s Holocaust Book Surviving Memoir) by Krystyna Carmi , Regina Smoter, et al.

13. Stealing The Bordersby Elliot Rais

14. Counting on America: A Holocaust Memoir of Terror, Chutzpah, Romance and Escape by Gary Reiner , Kurt Reiner, et al.

15. In My Hands: Memories of a Holocaust Rescuer by Irene Gut Opdyke and Jennifer Armstrong

16. One Step Ahead – A Mother of Seven Escaping Hitler’s Claws: A True History – Jewish Women,…by Avraham Azrieli

17. Holocaust: Memoirs: Georgina: Holocaust Survivor Stories from the Darkest Days of the Holocaustby Gabriella Kovac and Oliver R. Shead

19.Outcry: Holocaust Memoirsby Manny Steinberg

18.Fragments of Isabella: A Memoir of Auschwitzby Isabella Leitner

20. My Family’s Survival: The true story of how the Shwartz family escaped the Nazis and survived the Holocaust by Aviva Gat

21. When I Fall, I Shall Rise: A Holocaust Survivor Memoirby Dan Shtauber 

22.The Dead Years: Holocaust Memoirs by Joseph Schupack

23.  Last Words: Surviving the Holocaustby Shari J. Ryan

24. Gerda’s Story: Memoirs of a Holocaust Survivor by Nothmann Luner, Gerda

25. Long Journey Home: A Young Girl’s Memoir of Surviving the Holocaust by Lucy Lipiner

26. Letters to Rose: A Holocaust Memoir With Letters of Impact and Inspiration from the Next Gen by Rose Williams, Rebecca Hoag, et al

27.A Holocaust Memoir of Love & Resilience: Mama’s Survival from Lithuania to America by Ettie Zilber

28. The Last Jew of Treblinka: A Memoir by Chil Rajchman

29. I Love You My Child, I’m Abandoning You: WW2 Holocaust Survivor memoirby Ariela Palacz

30. A Train Near Magdeburg―The Holocaust, the survivors, and the American soldiers who saved them by Matthew Rozell

31. Run! Run! Hitler’s Coming!: How a Young German Girl Escaped the Holocaust: A True Story by Irene Rosenthal and Sherry Rosenthal

32. Anything But His Soul: A Jewish Holocaust Survivor Memoir (World war 2 True Survival Story) by Moshe (Mjetek) Bomberg and Aviva Hershko

33. Rescued from the Ashes: The Diary of Leokadia Schmidt, Survivor of the Warsaw Ghettoby Leokadia Schmidt and Oscar E. Swan

34. Four Girls From Berlin: A True Story of a Friendship That Defied the Holocaust by Marianne Meyerhoff 

35. A Girl Called Renee: The Incredible Story of a Holocaust Survivor by Ruth Uzrad

36. Dina – Surviving Undercover: From the Darkness of The Holocaust to The Light of The Futureby Dina Drori and Erez Grinboim 

37.  Abe-vs-Adolf: The True Story of Holocaust Survivor Abe Peckby Maya Ross 

38.  Behind Enemy Lines: The True Story of a French Jewish Spy in Nazi Germanyby Marthe Cohn and Wendy Holden 

39.  White House in a Gray City: A Jewish Holocaust Survivor Memoir (World War 2 True Story) by Itzchak Belfer 

40. Not Even My Name: A True Storyby Thea Halo 

41. Hank Brodt Holocaust Memoirs: A Candle and a Promise by Deborah Donnelly 

42. A Survivor Remembers the Holocaust: The Amazing True Story of Leon Sperling by Marc Garrett and Leon Sperling

43. The Boy on the Wooden Box: How the Impossible Became Possible . . . on Schindler’s List by Leon Leyson 

44.  Four Perfect Pebbles: A True Story of the Holocaust by Lila Perl and Marion Blumenthal Lazan 

45. No Pretty Pictures: A Child of War.a Holocaust Memoir by Anita Lobel

46. I Have Lived A Thousand Years: Growing Up In The Holocaust by Livia Bitton-Jackson

47. Survivors: True Stories of Children in the Holocaust by Allan Zullo 

48. The Strange Ways of Providence In My Life: An Amazing WW2 Survival True Story (A Jewish Girl’s Holocaust Book Surviving Memoir)by Krystyna Carmi and Regina Smoter

 49. Buttons in my soup: Holocaust survivor story (True WW2 Surviving Memoir)by Moshe Ziv

50. I Want You to Know We’re Still Here: A Post-Holocaust Memoirby Esther Safran Foer 

51. The Listener: In the Shadow of the Holocaust (Regina Collection) by Irene Oore 

52. Claiming My Place: Coming of Age in the Shadow of the Holocaust  by Planaria Price and Helen Reichmann West

53. Finding the Light Within: My Journey of Healing after the Holocaustby Mary Friedmann Berges

54. Holocaust Memoirs of a Bergen-Belsen Survivor & Classmate of Anne Frankby Blitz Konig, Nanette and Rafa Lombardino

55. Finding Schifrah: The Journey of a Dutch Holocaust Child Survivor by Sonja DuBois

56. Somewhere There Is Still a Sun: A Memoir of the Holocaustby Michael Gruenbaum and Todd Hasak-Lowy 

57. Maybe You Will Survive: A Holocaust Memoir by Aron Goldfarb and Graham Diamond

58. The 23rd Psalm: A Holocaust Memoir by George Lucius Salton and Anna Salton Eisen

59. The Girl in the Green Sweater: A Life in Holocaust’s Shadow by Krystyna Chige

 

Do you have a story to tell?

San Diego Memoir Writers Association is a community of local writers committed to the craft and business of memoir writing.  Our purpose is to create a community of inspired, nurtured, and educated memoirists. One of the ways in which we do this is by hosting monthly member meetings with speakers who educate our writers on both the craft and business of memoir writing.   Writers of all levels are welcome and encouraged to join us to help build their own writing tribe.

The June 2019 San Diego Memoir Association monthly meeting was the second of two free meetings this year. Expert facilitator Marni Freedman led the thirty-five attendees through a process for healing through writing. She previewed material from her forthcoming book  Write to Magic: How to Get Unstuck, Access Authentic Courage and Live in the Creative Flow of Life.

With empathy and compassion, Marni introduced creative approaches for identifying wounding moments and turning them into fuel for a creative and bold life. Participants examined their life experiences through free-writing prompts that can lead to radical self-acceptance.

Even in the hot July temperatures, the workshop was packed and everyone walked away feeling rejuvenated and inspired to continue writing projects or begin new ones.

Founded in December of 2016, San Diego Memoir Writers Association is located at Liberty Station in Point Loma.  Please send us an email if you’d like to learn more about the organization, get involved, or come speak at one of our monthly member events.

We look forward to meeting you! 

A Beautiful Poem by Rainer Maria Rilke

My life is not this steeply sloping hour, 
in which you see me hurrying.
Much stands behind me; I stand before it like a tree;
I am only one of my many mouths,
and at that, the one that will be still the soonest.
I am the rest between two notes,
which are somehow always in discord
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful.

HAVE A LITTLE FAITH

I just read Mitch Albom’s recent nonfiction memoir, HAVE A LITTLE FAITH about an African American and a Jew.

What if our beliefs were not what divided us, but what pulled us together? In “Have a Little Faith,” Mitch Albom offers a beautifully written story of a remarkable eight-year journey between two worlds–two men, two faiths, two communities–that will inspire readers everywhere. 

Albom’s first nonfiction book since “Tuesdays with Morrie”, “Have a Little Faith” begins with an unusual request: an eighty-two-year-old rabbi from Albom’s old hometown asks him to deliver his eulogy. Feeling unworthy, Albom insists on understanding the man better, which throws him back into a world of faith he’d left years ago. 

Meanwhile, closer to his current home, Albom becomes involved with a Detroit pastor–a reformed drug dealer and convict–who preaches to the poor and homeless in a decaying church with a hole in its roof. 

Moving between their worlds, Christian and Jewish, African-American and white, impoverished and well-to-do, Albom observes how these very different men employ faith similarly in fighting for survival: the older, suburban rabbi embracing it as death approaches; the younger, inner-city pastor relying on it to keep himself and his church afloat. As America struggles with hard times and people turn more to their beliefs, Albom and the two men of God explore issues that perplex modern man: how to endure when difficult things happen; what heaven is; intermarriage; forgiveness; doubting God; and the importance of faith in trying times. Although the texts, prayers, and histories are different, Albom begins to recognize a striking unity between the two worlds–and indeed, between beliefs everywhere. 

In the end, as the rabbi nears death and a harsh winter threatens the pastor’s wobbly church, Albom sadly fulfills the rabbi’s last request and writes the eulogy. And he finally understands what both men had been teaching all along: the profound comfort of believing in something bigger than yourself. “Have a Little Faith” is a book about a life’s purpose; about losing belief and finding it again; about the divine spark inside us all. It is one man’s journey, but it is everyone’s story. 

Ten percent of the profits from this book will go to charity, including The Hole In The Roof Foundation, which helps refurbish places of worship that aid the homeless.

Motivational Ideas

Writing is hard. Everyone knows that. How do you keep going, when you feel lost and discouraged and want to quit? When you feel like quitting, think about why you started. What was that creative spark that got you going in the first place? Visualize that moment now. Write about that instant when the idea for your project first hit you right between your eyes. See if you can feel some of the excitement or enthusiasm again.

Now ask yourself why this idea still interests you, and what it really means to you; why do you care about it?

Appreciate where you are in your journey, even if it’s not where you want to be. Every season serves a purpose.

Great things never came from comfort zones.
You don’t grow when you’re comfortable.

You will not always be motivated; so you must learn to be disciplined. Develop a good morning writing routine and follow it religiously.

Do you waste time in the mornings on reading and answering emails and posting your status and ideas on Social Media. Well, don’t. That’s not going to get your book finished is it?

Get in the habit of asking yourself every few hours: “Does this activity/action support me in attaining my goals?””Does this support the life I’m trying to create?”

Success doesn’t come from what you do occasionally, but from what you do consistently.

Be consistent! Write every morning. Religiously.

The chief cause of failure and unhappiness is trading what you want most for what you want right now.

Don’t compare your life to others’. Make no comparison between the sun and the moon.  They shine when it’s their time. So do you.

Quotes about Reading, Writing, and Storytelling

Reading offers us opportunities to travel, moving our eyes without moving our feet.—John Raphael Staude

“In the case of good books, the point is not to see how many of them you can get through, but rather how many can get through to you.” — Mortimer J. Adler

Reading offers the unique power to transport us to other worlds. Books are passports that offer us a free trip to other lands both real and imagined. For some, books also become an escape, taking us out of a miserable and mundane life and into a new place where anything is possible, including a happy ending. I divide all readers into two classes; those who read to remember and those who read to forget. The following quotes were selected from Sarah S Davis,  A Reader’s Library of Book Quotes: For Librarians, Writers, and Bookworms Everywhere . Broke by Books Press. Kindle Edition.

In books I have traveled, not only to other worlds, but into my own.”  — Anna Quindlen, How Reading Changed My Life

“A book is a gift you can open again and again.” — Garrison Keillor

“Books are mirrors: you only see in them what you already have inside you.” — Carlos Ruiz Zafón, The Shadow of the Wind

Books were my pass to personal freedom.” — Oprah Winfrey

“Reading gives us someplace to go when we have to stay where we are.” — Mason Cooley 

“Books are a uniquely portable magic.” —Stephen King, On Writing 

“I do believe something very magical can happen when you read a book.” — J.K. Rowling

 “A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one.” — George R.R. Martin, A Dance with Dragons

“I go to books and to nature as the bee goes to a flower, for a nectar that I can make into my own honey.” — John Burroughs, The Summit of the Years

“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.” — James Baldwin

“To acquire the habit of reading is to construct for yourself a refuge from almost all the miseries of life.” — W. Somersat Maugham, Books and You

Davis, Sarah S.. A Reader’s Library of Book Quotes: For Librarians, Writers, and Bookworms Everywhere . Broke by Books Press. Kindle Edition. 

“Many people, myself among them, feel better at the mere sight of a book.” — Jane Smiley, Thirteen Ways of Looking at the Novel 

“Reading brings us unknown friends” — Honoré de Balzac  

“There is no friend as loyal as a book.” — Ernest Hemingway

“I love books. I like that the moment you open one and sink into it you can escape from the world, into a story that’s way more interesting than yours will ever be.” — Elizabeth Scott, Bloom 

 “I mean, most people want to escape. Get out    of their heads. Out of their lives. Stories are the easiest way to do that.” — Victoria Schwab, This Savage Song

“You forget everything. The hours slip by. You travel in your chair through centuries you seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes.”                                             — Gustave Flaubert, Madame Bovary 

  • ✦Books are everywhere; and always the same sense of adventure fills us. Second-hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack.”            — Virginia Woolf in Street Haunting 

 “I wanted to crawl in between those black lines of print, the way you crawl through a fence, and go to sleep under that beautiful big green fig-tree.” Sylvia Plath, The Bell Jar

“Books and doors are the same thing. You open them, and you go through into another world.” — Jeanette Winterson

“The more that you read, the more things you will know. The more that you learn, the more places you’ll go.” — Dr. Seuss  

“A book is a dream that you hold in your hand.” — Neil Gaiman  

“A great book should leave you with many experiences, and slightly exhausted at the end. You live several lives while reading.” — William Styron

“Anyone who says they have only one life to live must not know how to read a book.”                        — Author Unknown

“One glance at a book and you hear the voice of another person, perhaps someone dead for 1,000 years. To read is to voyage through time.” — Carl Sagan

Writers all have access to the same alphabet, but what makes a writer a storyteller is the way they wield these letters to craft a compelling story. These quotes embrace the power of storytelling and the writing process that each author embarks on to tell stories.

“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” — Madeline L’Engle 

  • “There comes a time in your life when you have to choose to turn the page, write another book or simply close it.” — Sharon L. Alder  
  • “The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book.” — Vladimir Nabokov 
  • “A good story is always more dazzling than a broken piece of truth.” — Diane Setterfield, The Thirteenth Tale 
  • “Writers are the exorcists of their own demons.” — Mario Vargas-Llosa 
  • “It’s a rare book that wins the battle against drooping eyelids.” — Tracy Chevalier 
  • “A successful book is not made of what is in it, but what is left out of it.” — Mark Twain 
  • “There’s a hunger for stories in all of us, adults too. We need stories so much that we’re even willing to read bad books to get them, if the good books won’t supply them.” — Philip Pullman 
  • “You look like a protagonist.” — Rainbow Rowell, Eleanor & Park 
  • “You don’t really understand an antagonist until you understand why he’s a protagonist in his own version of the world.” — John Rogers 
  • “It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.” — William Faulkner 
  • “If you’re silent for a long time, people just arrive in your mind.” — Alice Walker 
  • “Every reader, as he reads, is actually the reader of himself. The writer’s work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader’s recognition in himself of what the book says is the proof of the book’s truth.” — Marcel Proust, Time Regained 
  • “Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.”  — Plato 
  • “Those who write are writers. Those who wait are waiters.” — A. Lee Martinez  
  • “I have no taste for either poverty or honest labor, so writing is the only recourse left for me.” — Hunter S. Thompson, The Proud Highway 
  • “The first thing that distinguishes a writer is that he is most alive when alone.” — Martin Amis 
  • “Capture your reader, let him not depart, from dull beginnings that refuse to start” — Horace 
  • “I believe that a writer is a person who writes. An author is a person who has written.”  — Dean Wesley Smith 
  • “Every great love starts with a great story…” — Nicholas Sparks 
  • “After nourishment, shelter and companionship, stories are the thing                     we need most in the world.” — Philip Pullman
  • “The more you leave out, the more you highlight what you leave in.” — Henry Green 
  • “Most of the basic material a writer works with is acquired before the age of fifteen.” — Willa Cather 
  • “You can fix anything but a blank page.” — Nora Roberts 
  • “All great literature is one of two stories; a man goes on a journey or a stranger comes to town.” — Leo Tolstoy 
  • “When someone is mean to me, I just make them a victim in my next book.”  — Mary Higgins Clark 
  • “We tell ourselves stories in order to live.” — Joan Didion 
  • “If history were taught in the form of stories, it would never be forgotten.” — Rudyard Kipling, The Collected Works 
  • “A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.” — Graham Greene, The End of the Affair
  • “To hell with facts! We need stories!” — Ken Kesey 
  • “I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket.” — Ernest Hemingway 
  • “[I]t is the wine that leads me on, / the wild wine / that sets the wisest man to sing / at the top of his lungs, / laugh like a fool – it drives the / man to dancing… it even / tempts him to blurt out stories / better never told.” — Homer, The Odyssey 
  • “Humans are pattern-seeking story-telling animals, and we are quite adept at telling stories about patterns, whether they exist or not.” — Michael Shermer 
  • “Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream—making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is the very essence of dreams…” — Joseph Conrad, Heart of Darkness 
  • “A slavish concern for the composition of words is the sign of a bankrupt intellect. Be gone, odious wasp! You smell of decayed syllables.” — Norton Juster, The Phantom Tollbooth 
  • “Your tale, sir, would cure deafness.” — William Shakespeare, The Tempest 
  • “I have always held the old-fashioned opinion that the primary object of work of fiction should be to tell a story.” — Wilkie Collins, The Woman in White
  • “You want to tell a story? Grow a heart. Grow two. Now, with the second heart, smash the first one into bits.” — Charles Yu, How to Live Safely in a Science Fictional Universe 
  • “I got this story from someone who had no business in the telling of it.” — Edgar Rice Burroughs, Tarzan of the Apes 
  • “What tales do you like best to hear?’ ‘Oh, I have not much choice! They generally run on the same theme – courtship; and promise to end in the same catastrophe – marriage.” — Charlotte Brontë, Jane Eyre 
  • “They weren’t true stories; they were better than that.” — Alice Hoffman, The Story Sisters 
  • “Sometime reality is too complex. Stories give it form.” — Jean Luc Godard 
  • “Every story, even your own, is either happy or sad depending on where you stop telling it.” — Wiley Cash 
  • “There’s always, there’ll always be, more story. That’s what story is…It’s the never-ending leaf-fall.” — Ali Smith, Autumn 
  • “Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become.” — C.S. Lewis 
  • “What art offers is space – a certain breathing room for the spirit.” — John Updike 
  • “What an author doesn’t know could fill a book.” — Holly Black, Lucinda’s Secret 
  • “There are words and words and none mean anything. And then one sentence means everything.” — Richard Flanagan, The Narrow Road to the Deep North 
  • “Literature can remind us that not all life is already written down: there are still so many stories to be told.” — Colum McCann, Let the Great World Spin 
  • “When I want to read a novel, I write one.” — Benjamin Disraeli 
  • “I learned to write by reading the kind of books I wished I’d written.” — Barbara Kingsolver 
  • “Literature is the art of discovering something extraordinary about ordinary people, and saying with ordinary words something extraordinary.” — Boris Pasternak 
  • “Every story I create, creates me. I write to create myself.” — Octavia E. Butler 
  • “You have to be a bit of a liar to tell a story the right way.” — Patrick Rothfuss, The Name of the Wind 
  • “In the end, we’ll all become stories.” — Margaret Atwood, Moral Disorder and Other Stories 
  • “I would never read a book if it were possible for me to talk half an hour with the man who wrote it.” — Woodrow Wilson 
  • “A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.” — G.K. Chesterton 
  • “A book is a version of the world. If you do not like it, ignore it or offer your own version in return.” — Salman Rushdie 
  • “Reading a book is like re-writing it for yourself.” — Angela Carter 
  • “If there is a book that you want to read, but it hasn’t been written yet, you must be the one to write it.” — Toni Morrison 
  • “A good book has no ending.” — R.D. Cumming 
  • “What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though.” — J.D. Salinger in The Catcher in the Rye

“Easy reading is damn hard writing.”  — Nathaniel Hawthorne 

✦ “Read. Read. Read. Just don’t read one type of book. Read different books by various authors so that you develop different style.” — R.L. Stine

Sarah S Davis, ed. A Reader’s Library of Book Quotes: For Librarians, Writers, and Bookworms Everywhere . Broke by Books Press.

This is the Age of the Memoir

In the Introduction to his book on Memoir writing entitled Inventing the Truth Willam Zinser observed that: “This is the age of the memoir. Never have personal narratives gushed so profusely from the American soil as in the closing decade of the twentieth century. Everyone has a story to tell, and everyone is telling it. The boom has its ultimate symbol in Angela’s Ashes, Frank McCourt’s account of his squalid childhood in an Irish slum. In its literary shape it’s a classic memoir, recalling a particular period and place in the writer’s life. 

“It also hit the double jackpot of critical and popular success, winning the Pulitzer Prize and perching at the top of the bestseller lists for well over a year. Beyond all that, it’s the perfect product of our confessional times. Until this decade memoir writers tended to stop short of harsh reality, cloaking with modesty their most private and shameful memories. Today no remembered episode is too sordid, no family too dysfunctional, to be trotted out for the wonderment of the masses in books and magazines and on talk shows….

“If the books by McCourt, Hamill, Karr, and Wolff represent the new memoir at its best, it’s because they were written with love. They elevate the pain of the past with forgiveness, arriving at a larger truth about families in various stages of brokenness. There’s no self-pity, no whining, no hunger for revenge; the writers are as honest about their own young selves as they are about the sins of their elders. We are not victims, they want us to know. We come from a tribe of fallible people, prisoners of our own destructiveness, and we have endured to tell the story without judgment and to get on with our lives. 

“Such tolerance, however, is no longer an American virtue. The national appetite for true confession has loosed a torrent of memoirs that are little more than therapy, the authors bashing their parents and wallowing in the lurid details of their tussle with drink, drug addiction, rape, sexual abuse, incest, anorexia, obesity, codependency, depression, attempted suicide, and other fashionable talk-show syndromes. These chronicles of shame and victimhood are the dark side of the personal narrative boom, giving the form a bad name. If memoir has become mere self-indulgence and reprisal—so goes the argument—it must be a degraded genre.

“The truth is that memoir writing, like every other kind of writing, comes in both good and bad varieties. That’s the only standard that matters. Whether the authors of certain notorious recent memoirs ought to have revealed as much as they did, breaking powerful taboos and social covenants, isn’t finally the issue. The issue is: Is it a good book or a bad book? 

“A good memoir requires two elements—one of art, the other of craft. The first element is integrity of intention. Memoir is the best search mechanism that writers are given. Memoir is how we try to make sense of who we are, who we once were, and what values and heritage shaped us. If a writer seriously embarks on that quest, readers will be nourished by the journey, bringing along many associations with quests of their own. 

“The other element is carpentry. Good memoirs are a careful act of construction. We like to think that an interesting life will simply fall into place on the page. It won’t. We like to think that Thoreau went home to Concord and just wrote up his notes. He didn’t. He wrote seven drafts of Walden in eight years, piecing together by what Margaret Fuller called the mosaic method a book that seems casual and even chatty. Thoreau wasn’t a woodsman when he went to the woods; he was a writer, and he wrote one of our sacred texts. 

“Memoir writers must manufacture a text, imposing narrative order on a jumble of half-remembered events. With that feat of manipulation they arrive at a truth that is theirs alone, not quite like that of anybody else who was present at the same events.”

William Zinser. Inventing the Truth: The Art and Craft of Memoir (pp. 5-6). Houghton Mifflin Harcourt. Kindle Edition.